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- W2477201114 abstract "Despite being credited as one of the leading figures of the British MusicalRenaissance, Stanford’s piano music has remained hidden from serious musicalscholarship and performance. In this dissertation an exploration of Stanford’sbiography identifies changes in Stanford reception history which have affected theunderstanding of his piano music both during his career and posthumously.Stanford’s experiences as pianist and composer of piano music are explored toprovide a contextual backdrop to the thesis. As the first composer to complete a setof twenty-four preludes in Ireland or England, and, as the preludes represent thepinnacle of his compositions for solo piano this provided the impetus to rediscoverthe music.In an aim to address misconceptions about Stanford’s piano music thisthesis engages in a scholarly and critical examination of each prelude andcontextualizes the pieces within the Baroque and Romantic prelude traditions. Whileanalysis of the music highlights Stanford’s exemplary understanding of the piano, italso demonstrates how he merged ideas from both prelude traditions to make his ownunique contribution to the genre. Traditionalistic tendencies in Stanford’scompositional writing are revealed through his rich and varied harmonic palette andhis approach to structure and motivic development, while unifying compositionalfeatures are also noted. Stanford’s compositional intentions are considered, whileissues of late style and nostalgia are raised. A revised edition of Stanford’s fortyeightpreludes is also included along with a detailed editorial commentary.In response to the recent resurgence in scholarship on Stanford, thisthesis raises an awareness of Stanford as a composer of piano music, re-evaluatingthe contribution he made to piano music in England and in Ireland. It will emphasisethe value and importance of his collection of preludes and will reappraise Stanford asa significant composer of piano music in Irish musicological studies." @default.
- W2477201114 created "2016-08-23" @default.
- W2477201114 creator A5022093435 @default.
- W2477201114 date "2012-01-01" @default.
- W2477201114 modified "2023-09-27" @default.
- W2477201114 title "Charles Villiers Stanford's Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 volumes)" @default.
- W2477201114 hasPublicationYear "2012" @default.
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