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• W2477454489 abstract "This chapter explores the unique form of British modernism that influenced the shift in the Radiophonic Workshop's output from abstract avant‐garde radio drama to electronic tonal music. Moving roughly chronologically through the major commissions of the Workshop in its first years, this chapter traces this shift, first in radio and then in television. As “sound engineers” give way to “composers” within the studio, so too does the fear from within the Music Department transform into tolerance as they realize how little the two departments overlap. The primary focus of this chapter, however, is the works; detailed attention is paid to the composition, construction, reception, and interpretation of specific commissions, and to their significance for contemporary audiences. The chapter concludes by arguing that the need for electronic music taps into a deep‐seated insecurity within Britain about the country's political, artistic, and financial position in the 1950s and 1960s." @default.
• W2477454489 created "2016-08-23" @default.
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• W2477454489 date "2010-10-07" @default.
• W2477454489 modified "2023-09-26" @default.
• W2477454489 title "The Golden Age of Special Sound" @default.
• W2477454489 doi "https://doi.org/10.1093/acprof:oso/9780195368406.003.0003" @default.
• W2477454489 hasPublicationYear "2010" @default.
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