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- W2477730342 abstract "Life in Croisset was neither a catalfaque in the Far East nor a cafeon the boulevard Montparnasse. Perhaps that was the humour of Croisset. What else could one do there suffering with the foibles of the bourgeois, but to write Madame Bovary? And the Madame Bovary Flaubert envisioned and wrote is a novel whose artistic resonance, whose poetics, is decidedly comedic and ironic. Of course there areelements of the pathetic, but those do not supersede the bathetic and it is not coincidental that not long after he began writing Madame Bovary (September, 1851) he also began renewing the idea of the Dictionary of Accepted Opinions (Dictionnaire des Idees Reques) (December, 1852). Flaubert writes: ‘Meanwhile an old idea has come back to me – that of my Dictionary of Accepted Opinions (do you know what it is?) The preface, especially, greatly excites me, and in the way I conceive it (it would be a book in itself) no law could touch me although I would attack everything … I would declare that this apologia for human vulgarity in all its aspects – and it would be raucous and ironic from beginning to end, full of quotations, proofs (which would prove the opposite), frightening texts (easily found) – was aimed at doing away, once and for all, with all eccentricities, whatever they might be’ (Flaubert, Letters 175-6).KeywordsComedic ElementHazelnut ShellArtistic ResonancePerson PluralComedic MomentThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
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- W2477730342 date "1999-01-01" @default.
- W2477730342 modified "2023-09-25" @default.
- W2477730342 title "The Poetics of Irony in Flaubert’s Madame Bovary" @default.
- W2477730342 doi "https://doi.org/10.1057/9780230389526_4" @default.
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