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- W2477983222 abstract "Jacobite décor and design are both among the earliest and the most controversial areas of the identification of political sympathy through material culture. This may be partly because some of the maximalist cases for Jacobitism have been made through decoding houses and gardens, as, for example, in Richard Hewlings’s long essay on Chiswick in the 1995 Lord Burlington collection edited by Toby Barnard and Jane Clark. Some of the arguments from garden and domestic architecture which have been advanced seem to many scholars to make claims stronger than those that can be substantiated from documentary historical sources: as Christopher Christie notes, ‘the complexities of Georgian politics and an individual’s personal beliefs within the political system make any generalisation regarding “political landscaping” fraught with danger’. As if to underline this point, John Dixon Hunt notes that Italian gardening could be linked to ‘rural retreat from political life and the interests of the country party’ as an ‘ideological gesture’, while at the same time accepting that Italian gardens could symbolize the virtues of mixed government for Whigs. Similarly, the assumption that French style was rejected on political grounds needs to be qualified by examples such as the Versailles-style frontage commissioned from William Adam by the hardly Jacobite Earl of Hopetoun at his great house 2 kilometres from South Queensferry, near Edinburgh.1KeywordsMaterial CultureSacred GroveInterior DecorationPolitical SympathyRural RetreatThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
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- W2477983222 date "2013-01-01" @default.
- W2477983222 modified "2023-09-26" @default.
- W2477983222 title "Décor, Decoration and Design" @default.
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- W2477983222 doi "https://doi.org/10.1057/9781137278098_2" @default.
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