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- W2478546479 abstract "The intersection of modernism and primitivism explored in this chapter is focused on the use of photography in ethnographic representations of the Aran Islands. In particular it is concerned with the role of photography in ethnographic discourse to construct the islands as temporally and spatially distant from the observing subject. More than any other form of ethnographic representation, the photographic image seemingly conveys the temporal displacement of its subject from the viewer through both its ontological identity and its aesthetic codes (Bazin; Barthes). What is inescapable about the content of any photographic image is what is represented within its rectangular frame is now past, and that through the time exposure of photography this past is ever present. This temporal convergence is part of photography’s modernity, and in the representational practices of ethnography is a powerful means of constructing the primitive as a temporal concept of Western thought (Fabian 18). It is this conflation of the modernity of the photographic image with ethnographic representation that this study explores as part of its discussion of the use of photography in ethnographic studies of the Aran Islands." @default.
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- W2478546479 date "2009-01-01" @default.
- W2478546479 modified "2023-09-24" @default.
- W2478546479 title "Visible Others: Photography and Romantic Ethnography in Ireland" @default.
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- W2478546479 doi "https://doi.org/10.1057/9780230617193_6" @default.
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