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- W2478842971 abstract "Zurcher Theater Spektakel, September 2005. I stand with heart thumping at the closing images of Societas Raffaello Sanzio’s Tragedia Endogonidia Br. #04 Bruxelles, and I am one of only several audience members remaining in an initially full house. The rest of the audience left this performance all at once, clumsily, loudly, in rebuke of having to see something that they had not come for: a scene which, it seems, had no place in the theatre at all. The scene was the relentless bashing of a man by performers wearing police uniforms wielding batons. The set housing these men was a vast marble cavern that, in the setup to the bashing, had allowed voluminous fake blood poured from plastic water bottles to swim across the white, opulent bureaucracy of the space. Before the blood was poured, the space had been cleaned. A black female cleaner entered with a mop: the rhythmic lethargy in her mopping occurring well before the entry of two men, who dressed themselves in police uniforms and set out crime scene markers as evidence and history of a death. They then poured the blood over a third man, who had meanwhile undressed to stand near-naked between the markers in preparation for his bloody, brutal beating. And then they beat him." @default.
- W2478842971 created "2016-08-23" @default.
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- W2478842971 date "2014-01-01" @default.
- W2478842971 modified "2023-09-25" @default.
- W2478842971 title "Affect’s Spill: Theatrical ‘Sensationship’ in Cultures of Memory" @default.
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- W2478842971 doi "https://doi.org/10.1057/9781137336224_6" @default.
- W2478842971 hasPublicationYear "2014" @default.
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