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- W2479040453 abstract "The Yellow Book is the most familiar of fin-de-siecle objects. Everybody knows its distinctive cover, its symbolic status as the epitome of decadent aesthetics, its association with scandal and the firing of art editor Aubrey Beardsley after Oscar Wilde was arrested while carrying a yellowbacked French novel, mistakenly thought to be a volume of the notorious periodical at the time.2 Despite the brevity of its print run — the quarterly only appeared thirteen times between April 1894 and 1896 — The Yellow Book remains inextricably linked with the decade it coloured, ‘the yellow nineties’, and central to the study of fin-de-siecle literature and visual culture. However, as The Yellow Book’s contemporary creation, Sherlock Holmes, might have said, we have seen but not observed. The periodical has become strangely dematerialised, its critical afterlife concerned more with what it represents than what it is, its literary history restricted to a handful of extracted prose and art works. The significance of these pictures and texts as objects sequenced and stitched together in contiguous relationship within the printed pages of a bound book has gone largely unnoticed. If, as Matthew Arnold reminds us, the first aim of criticism is ‘to see the object as in itself it really is’,3 what comes into our critical sights when we shift our optics to see The Yellow Book as the material object it is rather than the symbol it represents?" @default.
- W2479040453 created "2016-08-23" @default.
- W2479040453 creator A5079882596 @default.
- W2479040453 date "2010-01-01" @default.
- W2479040453 modified "2023-09-23" @default.
- W2479040453 title "A Modern Illustrated Magazine: The Yellow Book’s Poetics of Format" @default.
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- W2479040453 doi "https://doi.org/10.1057/9780230297395_7" @default.
- W2479040453 hasPublicationYear "2010" @default.
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