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- W2481568112 abstract "The origins of the slave songs reach far back into slave history. But the Civil War is the scene of their emergence into national consciousness, with the publication of “Go Down Moses” by the National Anti-Slavery Standard (1861) as the “Song of the Contrabands” — the terms for escaped black slaves—who fled to Northern soldiers stationed at Fort Monroe.1 This spiritual is strongly marked by many of the features that define the slave songs: their hybrid forms, intercrossing and mutually transforming African and American religious and expressive modes; their specific combination of the sacred and secular, of theology and politics; and the contest, as well as confluence, between American visions and claims of which the Civil War itself is the most palpable and violent expression." @default.
- W2481568112 created "2016-08-23" @default.
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- W2481568112 date "2010-01-01" @default.
- W2481568112 modified "2023-10-16" @default.
- W2481568112 title "Claiming the Bible: Slave Spirituals and African-American Typology" @default.
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- W2481568112 doi "https://doi.org/10.1057/9780230113008_6" @default.
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