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- W2481639784 abstract "From a contemporary French point of view, all of the outlandish, paradoxical, and contradictory ‘images of America’ in Part 1 of this Introduction are, in some way, shape, or form, evidence of the exceptional nature of homo americanus’s turn toward an alternative, ‘hyper’-fictional reality in which, and through which, everyday reality has become indistinguishable from its mediated, commodified representations. The French scrutinize the United States as a complex (un)cultural model, one catalyzed and characterized by the postmodern turn toward the ‘hyper.’ Unculture is equally a cause and effect of the fiction of hyperreality. In his postmodernist discussion of America’s self-invention as an ‘achieved utopia,’ Baudrillard claimed that it is necessary to ‘enter the fiction of America, enter America as fiction,’ since it is ‘on this fictive basis that it dominates the world.’ He makes it clear that Americans cannot fully apprehend the magnitude of their hyperreal way of life — the depth of the fiction which they live — because ‘they are themselves simulation in its most developed state’ (America 28—9). While all postmodern cultures — including the generalized culture of postmodern globalization — are to some degree affected or characterized by hyperreality, the United States has been the late (or neo-)capitalist epicenter and it remains the global point of reference." @default.
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- W2481639784 date "2013-01-01" @default.
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- W2481639784 title "Introduction: Part 2" @default.
- W2481639784 doi "https://doi.org/10.1057/9781137299031_2" @default.
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