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- W2481839478 abstract "Satire counters the chorus of conventional wisdom when the world becomes corrupt.1 In tone and outlook, satire is often among the most realist of popular genres. Yet it could not fault realities so resoundingly without appealing at times to idealist sensibilities and standards. Nor could it provoke vital alternatives without inspiriting people through contrasting tunes, engaging rhythms, and fulfilling harmonies that reach beyond our corrupt realities. The idealism implicit in at least some satire coordinates people’s actions against the target system, and they help satire turn savage criticism into civilized invention. Consequently the Rastaman played by Amiri Baraka tells the title character in Bulworth (1998) not merely to haunt the American memory with what might have been, but more to quicken the American muse with the empowering shape of song." @default.
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- W2481839478 date "2013-01-01" @default.
- W2481839478 modified "2023-10-14" @default.
- W2481839478 title "Rhythms of Political Satire: Postmodern Politics in Words, Musics, and Movies" @default.
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- W2481839478 doi "https://doi.org/10.1057/9781137373861_3" @default.
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