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- W2481880382 abstract "This chapter continues to look at the changing relationships between parents and children, focusing on literary descriptions of “brats” and “Mommies.” Unlike the fictional “crack baby,” which served as a symbol of racial fears, the “brat” was a childish object of knowledge that offered a model for youth behavior: the brat was something for adults to bemoan and children to become. A special kind of child running amok in an adult landscape, the brat continues the tradition of moral panic over postadolescents that has operated in American culture since the rebellious teen was first invented in the 1950s. It began with the success of the Hollywood Brat Pack, a shifting collective of young actors and actresses who appeared in ensemble films, and next bled over into the literary sphere with precocious novelists like Bret Easton Ellis, Tama Janowitz, and Jay McInerney. The Literary Brat Pack’s phenomenal publishing success was built in part on the authors’ high-living public image and appearance in Page Six gossip columns and in part on Vintage Contemporaries’ invention of slickly marketed trade “yuppiebacks.” In particular, McInerney’s best-selling Bright Lights, Big City found huge success as a quintessentially eighties novel whose hidden core is the narrator’s mysterious relationship with his mother. Indeed, despite their assertive precocity, the Literary Brat Packers rely continually on a shared maternal theme." @default.
- W2481880382 created "2016-08-23" @default.
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- W2481880382 date "2016-01-01" @default.
- W2481880382 modified "2023-09-23" @default.
- W2481880382 title "The Brat Pack and Its Mommy: Motherhood in the Age of Yuppiebacks" @default.
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- W2481880382 doi "https://doi.org/10.1057/9781137584342_6" @default.
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