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- W24824778 abstract "The advent of the millennium provides an occasion for reflection on the past development of ballet's major repertoire and speculation as to its future. The author identifies Frederick Ashton and George Balanchine as the two major choreographers of the twentieth century, because of their essential relationship to Marius Petipa, the dominant choreographer of the nineteenth. He then examines the recent work of James Kudelka, artistic director of the National Ballet of Canada, and argues that it forms part of the lineage of Ashton and Balanchine. Ashton's example informs the emotional and thematic content of Kudelka's work, whereas Balanchine's revises and expands the technical vocabulary at Kudelka's disposal. Questions of gender and displacement, implicit in the works of the earlier choreographers, find explicit expression in Kudelka. Whatever the final judgement on Kudelka's body of work, it must therefore be evaluated as part of the mainstream of ballet's development, not as a regional footnote to its history." @default.
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- W24824778 date "2000-08-01" @default.
- W24824778 modified "2023-09-27" @default.
- W24824778 title "James Kudelka: Extending Ballet's Language" @default.
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- W24824778 doi "https://doi.org/10.3138/jcs.35.3.162" @default.
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