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- W2482707811 abstract "“[T]oo many readers,” laments Samuel Egerton Brydges in the British Bibliographer “require to be taught how to think and to judge! It is not sufficient to give them specimens, and leave them to form their own opinions … Better a thousand times is the plodding task of copying the dullest extracts … These the profound antiquary, the philosophic investigator of ancient language and ancient manners, will know how to appreciate; while the praise or the jest of the flippant lover of the piquant style of modern criticism may be treated with equal indifference!” (IV.vi). Brydges’ attack on “specimens” that “leave readers to form their own opinions” has a very specific target: a sequence of works that built on the success of George Ellis’ 1790 Specimens of the Early English Poets by marketing collections of small poems and extracts with introductory histories designed to make the English literary past accessible to those Brydges denigrates as “the flippant lover[s] of the piquant style of modern criticism.” The sequence includes Ellis’ own 1801 (and 1803 and 1811) editions of the Specimens to which he added a substantial Historical Sketch of the Rise and Progress of English Poetry and Language and Robert Southey’s 1807 Specimens of the Later English Poets, with Preliminary Notices. Thomas Campbell’s 1819 seven-volume Specimens of the British Poets; with biographical and critical notices, and An Essay on English Poetry extends both the period surveyed and the appended commentary.1" @default.
- W2482707811 created "2016-08-23" @default.
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- W2482707811 date "2010-01-01" @default.
- W2482707811 modified "2023-09-24" @default.
- W2482707811 title "Literary History and Literary Specimens" @default.
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- W2482707811 doi "https://doi.org/10.1057/9780230283336_5" @default.
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