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- W2483002662 abstract "Perhaps nowhere has the failure to conceptualize race outside of binary conceptions been more evident than in our historiography of racial impersonation and its relationship to American national self-conception. In the scholarship of the last 15 years or so on the racial dynamics of blackface, there has been a curious lack of attention to other forms of racial impersonation.1 Instead, there has been a casual assumption that yellowface, brownface, redface, and so forth, operate with the same racial and cultural effects that blackface produces, or that other racial groups become “minstrelized” as necessary at certain historical moments.2 But if we no longer believe that blackness functions as the pre-eminent template for other racial constructions in the United States, then it seems time to try to understand the distinct implications of representations of blackness versus those of other racial groups through racial impersonation. How is it that blackface — at least in the sense of white actors playing black characters — died out on stage and screen in the 1920s, whereas yellowface continued more or less unabated and unchallenged right up until the Miss Saigon controversy of the late 1980s? What accounts for this disparity? How and why was it that over the course of the 1920s and 1930s yellowface continued unproblematically to represent Asian people, while blackface explicitly came to signify as an act of racial impersonation, and instantiated instead a costume that the spectator was asked to see through narratively?" @default.
- W2483002662 created "2016-08-23" @default.
- W2483002662 creator A5079806129 @default.
- W2483002662 date "2010-01-01" @default.
- W2483002662 modified "2023-09-26" @default.
- W2483002662 title "Passing Between Nations: Racial Impersonation and Transnational Affiliation" @default.
- W2483002662 cites W4211128930 @default.
- W2483002662 doi "https://doi.org/10.1057/9780230297401_2" @default.
- W2483002662 hasPublicationYear "2010" @default.
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