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- W2483179962 abstract "Abstract Illusions of proleptic parody in Sterne always derive, on inspection, from his conscious parody of existing texts or trends, and so it is with his anticipation of the hazards and pitfalls of Victorian serial fiction. Though relatively unexplored, and varyingly widely in its conventions and procedures from the Victorian norm, serial publication was a vital part of mid-18th-century print culture. Its resources were also creative used — by many writers of journalism, encyclopedias, history, autobiography, and fiction — to amplify and generate meaning, one such resource being the serial's capacity to perform narratives of developing or fluctuating selfhood, or the different stages and outcomes of disease. This broad context, from Addison's Spectator through Rapin's History to Smollett's Sir Launcelot Greaves, enables a fresh approach to Wayne Booth's famous question: ‘Did Sterne Complete Tristram Shandy?’ Dramatized in the continuous present of serialization, the novel's unfolding tale of failing health not only gives Tristram's losing battle with narrative language its peculiar urgency and weight; it also supplies in advance an internal, fictionalized reason for the premature close of his work." @default.
- W2483179962 created "2016-08-23" @default.
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- W2483179962 date "2002-11-21" @default.
- W2483179962 modified "2023-09-24" @default.
- W2483179962 title "Serializing a Self" @default.
- W2483179962 doi "https://doi.org/10.1093/acprof:oso/9780199245925.003.0005" @default.
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