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- W2483397788 abstract "The body as a material presence possesses semiotic possibilities which have always been used in theatre. This chapter describes the semiotics of the performing body. It looks at the textuality of the body in terms of physical appearance and iconographic display, and analyse the dramaturgical and theatrical strategies that utilize the performer's body as a cultural and artistic test. Three categories are proposed under which syncretic dramatists and directors use the materiality of the body as a theatrical strategy: effacement, resemanticization, and mythologization. This chapter also analyses the use of masks and mask-like costumes in Western syncretic theatre. The use of masks particularly underlines the necessity of viewing masking as part of a semiotics of the performing body." @default.
- W2483397788 created "2016-08-23" @default.
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- W2483397788 date "1999-03-18" @default.
- W2483397788 modified "2023-09-27" @default.
- W2483397788 title "Visualizing the Body" @default.
- W2483397788 doi "https://doi.org/10.1093/acprof:oso/9780198184447.003.0006" @default.
- W2483397788 hasPublicationYear "1999" @default.
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