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- W2484580963 abstract "It might seem curious to the average modern music lover that opera, that most elite of genres, came to be seen as music’s pre-eminent contributor to nationalism. This apparent contradiction derives, however, from two common misconceptions: on the one hand, that nationalism was essentially an expression of popular (nineteenth-century) revolt; on the other, that opera’s associations with the aristocracy should debar it from relevance to more general political concerns. Such misconceptions might seem appropriate for an ideology such as nationalism, which has always covered the traces of its invention by rewriting history in its own image, but opera too is defined by its continual reinvention of itself." @default.
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- W2484580963 date "2012-10-18" @default.
- W2484580963 modified "2023-09-27" @default.
- W2484580963 title "Opera and national identity" @default.
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- W2484580963 doi "https://doi.org/10.1017/cco9781139024976.017" @default.
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