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- W2486179719 abstract "THE coloured windows of the Gothic cathedrals and the dazzling lights of Dante’s Paradiso are no mere accidental expressions of the medieval spirit. It demanded bright and gorgeous colouring for the expression of its intense emotional life. The Romance of the Rose, the story of Abelard and Heloise, the ideals of chivalry and the love poetry of Provence are as truly medieval as are the lives of the saints, so full of fervour and poetry, or the magnificent Latin hymns. Dante fainting at sight of Beatrice is medieval in the intensity, the almost morbid intensity of the medieval spirit. The fine-spun, over-subtle distinctions of scholastic philosophy are indeed frequently pedantic, but it was a pedantry largely due to love of traditional forms which were closely knit into the general mind and sanctioned by the emotional life which they expressed and nourished. Frequently, too, it was due to a love of symbolism, of the word as more than the thought, of language as an instrument of power and not merely of expression, valuable for its emotional suggestiveness as well as for its intellectual content. The Holy Mass of the Roman Church, symbolic in its every word and action, is a no less typical creation than is Gothic architecture. All the best medieval thinking is impassioned thought, emotionally charged with love and fear." @default.
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- W2486179719 date "1967-01-01" @default.
- W2486179719 modified "2023-09-26" @default.
- W2486179719 title "The Middle Ages, the Renaissance, and the Modem Mind" @default.
- W2486179719 doi "https://doi.org/10.1007/978-1-349-81655-2_8" @default.
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