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- W2486878024 abstract "The reviews of Leonard Bernstein's Mass indicate that many critics received the work as a product of Bernstein's career in musical theater. Bernstein's combination of religious themes and imagery with popular music in Mass raises other examples from the popular sphere in the later 1960s and early '70s exhibiting similar features and intended for similar purposes. As with Mass, these examples were often designed to function as music of both moral renewal and social criticism. In part, this trend was an ecumenical and commercial response to the post-Vatican II employment of popular idioms in the church. It was also an extension of the use of “folk” music by such figures as Joan Baez and Bob Dylan to communicate political and social critiques. The step from politically engaged popular music and popular music in the service of official religious ritual to Godspell and Jesus Christ Superstar turned out to be rather small." @default.
- W2486878024 created "2016-08-23" @default.
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- W2486878024 date "2001-02-01" @default.
- W2486878024 modified "2023-09-25" @default.
- W2486878024 title "God in Popular Music (al) Theater" @default.
- W2486878024 doi "https://doi.org/10.1525/california/9780520223028.003.0014" @default.
- W2486878024 hasPublicationYear "2001" @default.
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