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- W2487336967 abstract "In his Preface to Ovid's Epistles, Dryden advocates translation‐as‐paraphrase, in which the ‘sense’ is allowed to ‘amplified’ but not ‘altered’—though he admits that, in the translations themselves, he has ‘transgressed’ these ‘rules.’ I show that, in his version of Ovid's ‘Canace to Macareus’, Dryden's transgressions as a translator echo Canace's sexual transgression with her brother even while apparently holding it up for disapproval: this creates an intensely conflicted poetry of translation. Other contributors to the same volume adopt related practices of ‘opening’, due in part to the cultural circumstances in which they were working. I discuss in particular Aphra Behn's polemical expansions of ‘Oenone to Paris’." @default.
- W2487336967 created "2016-08-23" @default.
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- W2487336967 date "2011-10-01" @default.
- W2487336967 modified "2023-09-23" @default.
- W2487336967 title "Dryden, Behn, and what is ‘secretly in the poet’" @default.
- W2487336967 doi "https://doi.org/10.1093/acprof:oso/9780199605712.003.0011" @default.
- W2487336967 hasPublicationYear "2011" @default.
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