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- W2487344265 abstract "In the past, to hear was to undertake an important personal challenge. “Faith cometh by hearing”,1 quoted Blaise Pascal famously in 1656. Such comments were not simply theological statements, however. Rather, they were the first step in a much more formal and extended process of integrating the human individual into a larger constructed space of an ethical social experience. Philosophers who commented on the meaning of human hearing were attempting to find practical ways of improving society. Individuals had the capacity to improve their role within the social setting by tuning their ears. By the late seventeenth century, French anatomists and scientists began to think about the human ear in entirely new ways. Scientists such as Claude Perrault described how the individual was caught in a complex relationship with sound by describing the environment solely in terms of sonic objects. The anatomist Joseph Duverney identified the physiological structure of the ear as a site transcending expected boundaries of space and time." @default.
- W2487344265 created "2016-08-23" @default.
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- W2487344265 date "2015-01-01" @default.
- W2487344265 modified "2023-09-25" @default.
- W2487344265 title "Medicine, Science and the Auditory Imagination" @default.
- W2487344265 cites W1989510407 @default.
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- W2487344265 doi "https://doi.org/10.1057/9781137455352_2" @default.
- W2487344265 hasPublicationYear "2015" @default.
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