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- W2487432932 abstract "Abstract The conclusion discusses the issue of the audience and reception of William Blake's work which Paul Mann has suggested as the most egregiously underasked question in Blake studies. This book has stated that it is more likely that Blake intended to make use of whatever means were available to reach a public. He continued, for instance, to produce his own paintings and prints while he was publishing illuminated books. In closing, this chapter puts forward a less familiar context for understanding Blake, tracing his distinctiveness to a creative engagement with the Revolution controversy, many parts of which are excluded from our received cultural history. In this context, Blake's desire to rouse the faculties to act becomes something more than a reiteration of the Romantic emphasis on the power of the poetic Imagination. It is part of a dangerous enthusiasm for the ‘rights of the living’ to which radicals as different as Richard Brothers and Tom Paine also subscribed in the turbulent years of the 1790s." @default.
- W2487432932 created "2016-08-23" @default.
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- W2487432932 date "1994-10-13" @default.
- W2487432932 modified "2023-09-24" @default.
- W2487432932 title "Conclusion: A Radical without an Audience?" @default.
- W2487432932 doi "https://doi.org/10.1093/acprof:oso/9780198183297.003.0006" @default.
- W2487432932 hasPublicationYear "1994" @default.
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