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- W2487996930 abstract "Following the cue or the ghost of Punter’s counterfactual thinking in this epigraph might well be a worthwhile exercise in order to look awry at our literary productions: if Gothic were at the center, then everything else would have to be decentered, and we would have to see the world athwart from the distorting perspective of the ghost, and then things that were buried behind the surface of texts would start appearing, forcing us to read differently. The past would be given pride of place as that which colors the present and the future, beyond our understanding and our control. Resurrecting our psychic and cultural past would then lead us to question the notions of origin, authority, individualism and freedom. Language and communication would appear for what they are: mere hosts for ghosts. Silence, the sign of a repressed in the text, would be more eloquent than words, and the unsaid would matter more than the actual message. Reshuffling the cards, we would be struck by the fact that this counterworld is in fact very similar to our post-Freudian world, as if psychoanalysis had acted out the scenario envisaged here as a mere figment of a literary critic’s imagination. The Gothic is an inherent component of our modernity as critical mode. That the subject is a speaking subject and that his boundaries and his truth exceed his language is the intuition shared by the Gothic and psychoanalysis." @default.
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- W2487996930 date "2010-01-01" @default.
- W2487996930 modified "2023-09-26" @default.
- W2487996930 title "Gothic as Poetics" @default.
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- W2487996930 doi "https://doi.org/10.1057/9780230275126_4" @default.
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