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- W2488369634 abstract "Abstract What vocal forces did Bach use for his passion performances, and does that matter today? Few issues in 18th-century music have attracted as much attention as the size and composition of Bach's vocal forces. Our performing tradition has inherited the use of large choirs (and orchestras to match), but recent research suggests that Bach did not perform his compositions this way. We have also inherited a sharp distinction between the roles of vocal soloists and choir members, but this was not an 18th-century way of thinking about singers. Today we typically hear forces that are not only larger than Bach's, but that are also organized and deployed very differently." @default.
- W2488369634 created "2016-08-23" @default.
- W2488369634 creator A5077915749 @default.
- W2488369634 date "2005-04-21" @default.
- W2488369634 modified "2023-09-25" @default.
- W2488369634 title "Vocal Forces in Bach’s Passions" @default.
- W2488369634 doi "https://doi.org/10.1093/acprof:oso/9780195169331.003.01" @default.
- W2488369634 hasPublicationYear "2005" @default.
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