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- W2489208850 abstract "This chapter attends to Dorothy Richardson’s early attempts at a phenomenology of film spectatorship, in her ‘Continuous Performance’ columns (1927-1933), and suggests that Richardson is prescient in her attempts to speak of touch and the tactile as an inherent part of the film viewing experience. Tracing the ways in which twentieth and twenty-first century film theory engages with the haptic, the chapter identifies Richardson as an important precursor. It also addresses haptic matters in Richardson’s Pilgrimage novel sequence (1915-1935), where her central protagonist Miriam Henderson uses her writing room as a kind of second skin, and where the overarching pilgrimage concept brings us back to touch concerns via any pilgrimage’s dependence upon the praesentia of the saints." @default.
- W2489208850 created "2016-08-23" @default.
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- W2489208850 date "2013-05-31" @default.
- W2489208850 modified "2023-09-23" @default.
- W2489208850 title "Dorothy Richardson and the Haptic Reader" @default.
- W2489208850 doi "https://doi.org/10.3366/edinburgh/9780748641741.003.0005" @default.
- W2489208850 hasPublicationYear "2013" @default.
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