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- W2489751312 abstract "The chapter discusses the continuity of the sedate 1970s thriller, exemplified by Klute or Three Days of the Condor, to the present by focusing on one of the aesthetic configurations of the introspective realist crime film: pictorial realism. Analyses of Tony Gilroy’s Michael Clayton and Tomas Alfredson’s Tinker Tailor Soldier Spy illustrate a blend of introspection, pessimistic outlook and a pictorial realism of carefully designed shot compositions, slow narrative rhythms and meaningful spaces. Shorter discussions of related films like Paul Haggis’ In the Valley of Elah, Ben Affleck’s Gone Baby Gone, Florian Henckel von Donnersmarck’s Das Leben der Anderen and Corneliu Porumboiu’s Politist, adjective reveal a complex web of transnational influence, from the French New Wave to the new Slow Cinema." @default.
- W2489751312 created "2016-08-23" @default.
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- W2489751312 date "2016-01-01" @default.
- W2489751312 modified "2023-10-16" @default.
- W2489751312 title "Pictorial Realism and Introspection" @default.
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- W2489751312 doi "https://doi.org/10.1057/978-1-137-49653-9_4" @default.
- W2489751312 hasPublicationYear "2016" @default.
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