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- W2490275122 abstract "The study of landscape is by essence cross-disciplinary for, as John Wylie’s opening statement in his book Landscape clearly expresses, landscape is tension: ‘a tension between proximity and distance, body and mind, sensuous immersion and detached observation’ (Wylie, 2007, p. 1). This outlining of a first set of tensions within landscape soon moves on to a wider tension ‘between observation and inhabitation’ (Wylie, 2007, p. 5). As the critical literature on landscape published in recent years clearly shows, considerations on landscape soon call in further definitions of the correlated notions of space and place. In the introduction to his book, Writing Home: Poetry and Place in Northern Ireland 1968–2008, Elmer Kennedy-Andrews distinguishes the two from a geographical point of view: ‘space is abstract, featureless, indefinite; place is lived space, and carries connotations of familiarity, stability, attachment, nostalgia and homeliness’ (Kennedy-Andrews, 2008, p. 1). This definition usefully clarifies those two notions one in relation to the other. But how are we to understand landscape in relation to place and space? In her book on nostalgia in twentieth-century Irish literature, Oona Frawley refers to the meaning of the word ‘landscape’ as found in the Oxford English Dictionary, which, she explains, ‘denotes a tract of land, of whatever extent, which is apprehended visually but not, necessarily, pictorially." @default.
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- W2490275122 date "2012-01-01" @default.
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- W2490275122 title "Introduction: Experiencing and Representing Irish Contemporary Landscapes in Literature and the Arts" @default.
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- W2490275122 doi "https://doi.org/10.1057/9780230360297_1" @default.
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