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- W2490679728 abstract "Transracial performances, on and off the formal stage, can be undoubtedly traced to the early 1600s when blacks, whites, and Native Americans first began to observe and visibly transcribe their critical impressions of each other. To date, many of the scholarly treatments that address transracial performance have focused on white-bodied impersonations of minoritized people, theatrical forms that are generally recognized in relation to blackface minstrelsy. While there has been significant attention paid to representations of blackface in the past two decades (and, subsequently, theatrical portrayals of redface, yellowface, brownface, etc.), far less attention has been paid to dramatic iterations of whiteness in African American performance. There are, of course, some notable exceptions to this observation." @default.
- W2490679728 created "2016-08-23" @default.
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- W2490679728 date "2012-10-25" @default.
- W2490679728 modified "2023-09-27" @default.
- W2490679728 title "Spectacles of whiteness from Adrienne Kennedy to Suzan-Lori Parks" @default.
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- W2490679728 doi "https://doi.org/10.1017/cco9781139062107.011" @default.
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