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- W2491036234 abstract "One of the first critics to address the fascist issue in Lawrence’s writing was Christopher Caudwell, who, in Studies in a Dying Culture (1938), accused Lawrence of producing “fascist” art. Caudwell defines fascist art as a return to “old primitive values, to mythology, racialism, nationalism, hero-worship and participation mystique.… Fascist art is like the regression of the neurotic to a previous level of adaptation” (56). Caudwell understands Lawrence’s conception of blood intimacy to be an atavistic urge, a regression from rationalism and complexity to an instinctual, primitive level of behavior, in fact, to a grossly insensitive, hence regressive, state: If … we are to cast off intellectualism and consciousness we must abandon all symbolism and rationalism tout court, we must be and no longer think, even in images. Yet on the contrary Lawrence again and again consciously formulates his creed in intellectual terms or terms of imagery But this is self-contradiction for how can we be led intellectually and consciously back from consciousness? It is our consciousness that Lawrence attempts to extend and heighten even at the moment he urges us to abandon it. (Caudwell 59)" @default.
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- W2491036234 date "1991-01-01" @default.
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- W2491036234 title "Lawrence, Authoritarianism and Fascism: The Critical Response" @default.
- W2491036234 doi "https://doi.org/10.1007/978-1-349-12455-8_1" @default.
- W2491036234 hasPublicationYear "1991" @default.
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