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- W2491041438 abstract "In the fall of 1961 regular readers of the New York Times would have encountered a pair of brief articles published a day apart which, while unexceptional individually, are striking, at least in retrospect, in their juxtaposition. Thursday, September 7 of that year saw the publication of a short review (Salzman 1961) of a concert sponsored by the Fromm Music Foundation. Presented the previous evening at the Metropolitan Museum of Art under the aegis of the International Musicological Society, which was holding its eighth congress at Columbia University from September 5 to September 12 (with ancillary events at Yale and Princeton Universities and at the Library of Congress in Washington, D.C. [LaRue 1962]), the concert offered only three works. Of these the first two – Vision and Prayer for soprano and synthesized accompaniment, by Milton Babbitt (born 1916), and the Double Concerto, by Elliott Carter (born 1908) – were world premieres, both commissioned by the Fromm Foundation. The third – the Concerto for Violin, Cello, Ten Winds and Percussion by Leon Kirchner (born 1919) – was a New York premiere." @default.
- W2491041438 created "2016-08-23" @default.
- W2491041438 creator A5051130372 @default.
- W2491041438 date "1998-11-19" @default.
- W2491041438 modified "2023-09-24" @default.
- W2491041438 title "Serialism and complexity" @default.
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- W2491041438 doi "https://doi.org/10.1017/chol9780521454292.019" @default.
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