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- W2491474905 abstract "In the climactic scene of Blackmail, the unsavory Tracy, pursued by the police as the presumed murderer of a painter, threads his way through the British Museum. Slinking past glass cases filled with antiquities, racing through galleries of statues and sarcophagi, he advances among the collections then lowers himself down a rope past an immense Egyptian sculpture of a pharaoh’s head and proceeds to the library, where he slips between the crammed bookstacks. The shady figure emerges, at last, on the roof of this bastion of imperialist culture, scaling its dome until he reaches the apex, at which point a pane of glass collapses from under him and he plummets to his own ruin." @default.
- W2491474905 created "2016-08-23" @default.
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- W2491474905 date "2015-01-01" @default.
- W2491474905 modified "2023-09-24" @default.
- W2491474905 title "Introduction: Self-Reflexivity in Hitchcock’s Cinema and Struggles of Authorship" @default.
- W2491474905 doi "https://doi.org/10.1057/9781137309709_1" @default.
- W2491474905 hasPublicationYear "2015" @default.
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