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- W2491540204 abstract "In July 1575, on the course of her summer progress, Elizabeth was entertained for 19 days at Kenilworth Castle, the recently renovated estate of her favourite, Robert Dudley, the earl of Leicester. The festivities were lavish and varied, including masques, deer hunting, bear baiting, feasts, music, fireworks, dancing and spectacle, and they were memorialized in two contemporary publications: an eye-witness account by Robert Langham, and a collection of the scripts for the event by George Gascoigne and others. The entertainments also featured, to a greater degree than most of these kinds of events, performances by locals. Landscape entertainments both in England and on the continent frequently incorporated rustic elements, but these were more often elite pastoral versions of rustic, performed by courtiers. At Kenilworth, by contrast, the courtiers were entertained by local villagers with a number of traditional country games and rituals, including the quintain, morris dancers with a fool and a maid marian, and a bride-ale or mock country wedding. Indeed, Philippa Berry observes that ‘this seems to have been the only occasion in the short history of the Elizabethan entertainment that folk materials were presented in their original forms, rather than adapted to courtly ends.’1 Those in attendance were also treated to a performance of what Tom Pettit would call a ‘customary drama’,2 the Hock Tuesday play of Coventry, a town with a longstanding tradition of dramatic presentations by the town guilds, although both the town and the tradition were in serious decline in 1575." @default.
- W2491540204 created "2016-08-23" @default.
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- W2491540204 date "2014-01-01" @default.
- W2491540204 modified "2023-09-24" @default.
- W2491540204 title "Performing Folk at Kenilworth" @default.
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- W2491540204 doi "https://doi.org/10.1057/9781137320179_5" @default.
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