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- W2491680226 abstract "This essay argues that digital culture has fundamentally altered the relationship between the Beatles and their fans, enabling them to forge previously unimaginable connections to the music and the musicians. Specifically, the digital revolution has allowed fans not simply to become active “prosumers,” creating art in response to the objects of their affection, but genuine fan-scholars, who are constructing a new, popular scholarship that alters what we know about the Beatles and how we know it. Using shareware and editing software, fans have created graphs, charts, and videos that illustrate patterns in songwriting and that dissect the deep structure of the songs themselves. Access to digitized music files has also allowed fans to collaborate imaginatively with the Beatles, for example, by producing a custom mix of Sgt. Pepper from copies of the four-track masters of the album. Finally, digital collaboration has fueled “proleptic nostalgia”—that is, the desire not simply to return to the fabled past, but to put the Beatles back together in the present. Through such digital interpolations, fans move from collecting product, however rare or illegal, to actively re-shaping our understanding of the Beatles and carrying the band with us boldly into the future." @default.
- W2491680226 created "2016-08-23" @default.
- W2491680226 creator A5089335317 @default.
- W2491680226 date "2016-01-01" @default.
- W2491680226 modified "2023-10-14" @default.
- W2491680226 title "Revolution 2.0: Beatles Fan Scholarship in the Digital Age" @default.
- W2491680226 cites W2147674345 @default.
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- W2491680226 doi "https://doi.org/10.1057/978-1-137-57013-0_12" @default.
- W2491680226 hasPublicationYear "2016" @default.
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