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- W2492440368 abstract "Abstract The public drama of the Mass was a classic “ritual of association” that obscured the often tense relationship between Tuscan bishops and chapters. Before an audience of congregants drawn to the mother church, the bishop reenacted Christ’s crucifixion, underscoring his sacramental authority rather than that of a traditional lord and builder. Meanwhile, the canons played the part of his faithful ministers. On three occasions—the feasts of St. Martin and St. Donatus of Arezzo as well as the Dedication of the Church—the clergy sang plainsong proper (or specific) to the day that reinforced its image as an angelic choir and that of the bishop as a divinely inspired celebrant." @default.
- W2492440368 created "2016-08-23" @default.
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- W2492440368 date "2014-10-09" @default.
- W2492440368 modified "2023-09-24" @default.
- W2492440368 title "Public Drama in the Mass" @default.
- W2492440368 doi "https://doi.org/10.1093/acprof:oso/9780199351350.003.0008" @default.
- W2492440368 hasPublicationYear "2014" @default.
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