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- W2493151337 abstract "Forgetting and lying, along with the discursive modes that make them possible, allegory and irony, play crucial roles in Samuel Beckett's first-person narration, as they do in Proust's. Beckett was profoundly influenced by the ways in which Proust's writing narrator dramatized his forgetting and lying as rhetorical processes that structure and question perception, memory, thought, and consciousness. Beckett's early trilogy of novels – Molloy, Malone Dies, and The Unnamable – foregrounds its narrators' forgetting and lying in a manner that deconstructs and parodies Proust's remembering narrator and his allegory of temporal differentiation and deconstruction. But the trilogy also parodies Proust's (and Beckett's own) ironical narrators and their search for indifference. The narrators in the trilogy thus reread and rewrite Proust's first-person narrator." @default.
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- W2493151337 date "2003-10-13" @default.
- W2493151337 modified "2023-10-05" @default.
- W2493151337 title "Molloy's Way: The parody of allegory" @default.
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- W2493151337 doi "https://doi.org/10.1017/cbo9780511485855.006" @default.
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