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- W2493681567 abstract "Films are offered as discrete texts but are also highly intertextual cultural objects; only by looking at several in one synchronic moment can common thematic emphases be discerned. As Robin Wood reminds us in the context of genre films, “The truth lies not in one dream but in many.”1 Across the media spectrum of film, television, and news in the 2000s, there is a preoccupation with graphic images and acts of violence against women. In this chapter I examine the films Minority Report (2002), Deja Vu (2006), and Corpse Bride (2005), where women are immobilized through acts of on-screen violence or through the visible traces of such acts. Women acting in their own interests are forcibly stopped by men exerting control over them or by men who want to control the flow of information to which these women unknowingly have access." @default.
- W2493681567 created "2016-08-23" @default.
- W2493681567 creator A5086860553 @default.
- W2493681567 date "2014-01-01" @default.
- W2493681567 modified "2023-10-17" @default.
- W2493681567 title "Film Narratives, Dead Women, and Their Meaning in a Changing World" @default.
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- W2493681567 doi "https://doi.org/10.1057/9781137452283_2" @default.
- W2493681567 hasPublicationYear "2014" @default.
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