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- W2493797995 abstract "To situate the quintessential Modernist poet Wallace Stevens ‘across the Atlantic’, where the lights of Norway mysteriously travel, is to place him in a realm that is at once dynamic and open-ended. Our primary aim in putting together this book is to reconsider Stevens’ development as he responds to intermingling influences from two different continents. In particular, we want to explore the nature of a poetics that may be called ‘Transatlantic’ because it is neither precisely American nor European, but involves a larger complex of literary, artistic and cultural qualities. Indeed, Stevens’ poetry, as we see it, threatens to disappear from view when discussed in simple oppositional terms of its ‘American’ qualities or its assimilations and transformations of ‘European’ subject-matter. In the language of Stevens’ own lecture ‘The Irrational Element in Poetry’, such amorphous notions as the ‘European’ and the ‘American’ are ultimately ‘too general to be serviceable’ (CPP 781). If either of these terms is to be rehabilitated in Stevens criticism, then it had better be in the reconstructed sense in which millions of Americans have implicitly defined themselves as ‘Transatlantic’: through preserving immigrant narratives, tracing genealogy (as Stevens did with his Dutch and German ancestry) or jostling different federal and state identities which seek to adapt European inheritances on American soil.KeywordsVisual ArtistAmerican SoilIrrational ElementImaginative DialogueBritish PoetThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W2493797995 created "2016-08-23" @default.
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- W2493797995 date "2008-01-01" @default.
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- W2493797995 title "Introduction: The Lights of Norway and All That" @default.
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- W2493797995 doi "https://doi.org/10.1057/9780230583849_1" @default.
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