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- W2493976951 abstract "Tippett's article, ‘At work on King Priam’ was written in November 1960 when, as he said, ‘I am now …about to begin the music to Helen's [Act III] monologue.’ Of the opera's genesis, he writes that ‘at the very beginning there was a series of scenic titles, like eight ages of man: Birth, Boyhood, Young Love, Warriors, Women, Judgment, Mercy, Death. In each of these the characters (now one, now the other) are presented with some problem of choice and action, but in the early scenes given little knowledge. Yet the tragedy flows from one such choice, honourably made: Priam and Hecuba at the cradle of Paris.’" @default.
- W2493976951 created "2016-08-23" @default.
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- W2493976951 date "1999-02-04" @default.
- W2493976951 modified "2023-10-16" @default.
- W2493976951 title "‘Is there a choice at all?’ <i>King Priam</i> and motives for analysis" @default.
- W2493976951 doi "https://doi.org/10.1017/cbo9780511481994.005" @default.
- W2493976951 hasPublicationYear "1999" @default.
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