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• W2494163403 startingPage "158" @default.
• W2494163403 abstract "At heart, this is a chapter about the early development of what musicologist Richard Crawford calls the music of “accessibility”, a music which seeks “most of all to find and please audiences and to increase their size” (Crawford 1993, pp. 86–88). To judge by events and developments in the nineteenth century, popular music pleased its audience by speaking directly to its needs and wishes. This chapter, then, will attempt likewise to discover and analyze audience and its concerns, in the belief that such a method leads most directly to understanding. By concentrating on reception and audience, instead of production (i.e. the performers, composers, and publishers), one hopes with Walt Whitman to find Americans – his mechanics, carpenters, masons, boatmen, shoemakers, hatters, woodcutters, ploughboys, mothers, wives, girls, young fellows – again “Singing, with open mouths, their strong melodious songs,” all “singing what belongs to [them], to none else” (from I Hear America Singing, 1860)." @default.
• W2494163403 created "2016-08-23" @default.
• W2494163403 creator A5072280460 @default.
• W2494163403 date "1998-11-19" @default.
• W2494163403 modified "2023-09-24" @default.
• W2494163403 title "Nineteenth-century popular music" @default.
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• W2494163403 doi "https://doi.org/10.1017/chol9780521454292.008" @default.
• W2494163403 hasPublicationYear "1998" @default.
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