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- W2494345656 abstract "With The Odyssey, we are a long way from “Duh,” stitched into an interwoven tapestry of truth and beauty, which is all we know and all we need to know on earth. Things mean—one’s home is sacrosanct and to intrude on it and lay waste to it thoughtlessly and insensitively invites an exact justice. Antinoös has played the role of braggart and bully, rude and insulting, his voice ringing out in the banquet hall as he abuses the serving women, Telemachus, and at one point, even the poet-singer who ought to be most honored among men. Thus it’s appropriate for him to be the first one to die with his voice box skewered and his head pinned to the royal, usurped banquet throne. There are few moments in storytelling that are more satisfying than Antinoös being pierced through the throat by a spear thrown by the suddenly revealed Odysseus, side by side with his grown son, Telemachus. In proper realistic storytelling, bad people come to bad ends. One might only wish to have been there to see the surprised look fixed to his congressional face.KeywordsWhite WhaleDivine ComedyAbsurd TheoristBanquet HallBeautiful LanguageThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
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- W2494345656 date "2013-01-01" @default.
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- W2494345656 title "Truth and Beauty: When Divine Horizons Shrink and the Gods Pack Up to Leave" @default.
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