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- W2494405685 abstract "This chapter focuses on François Truffaut's films as a model for the creative imagination and the way it engages the spectator's perception. Recent research by Raymond Bellour on cinema and hypnosis and by Daniel Stern on the pre-linguistic infant provides the theoretical framework. Among “minimal regularities” theorized by David Stern and highlighted by Bellour, the chapter selects three key concepts: amodal perception, vitality affects, and temporal contour. In order to define Truffaut's work, the chapter points to some analogies between his films and other forms of fiction: Tirez sur le pianiste is briefly compared to a novel by Patrick Modiano, Quartier perdu, and La Femme d'à côté to a Hollywood classic by Douglas Sirk, All That Heaven Allows. The analogies discussed are emotion and hypnosis, metaphoric network, stylization and repetitions, intersubjective matrix." @default.
- W2494405685 created "2016-08-23" @default.
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- W2494405685 date "2013-02-19" @default.
- W2494405685 modified "2023-10-14" @default.
- W2494405685 title "Aesthetic Affinities" @default.
- W2494405685 doi "https://doi.org/10.1002/9781118321591.ch3" @default.
- W2494405685 hasPublicationYear "2013" @default.
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