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- W2494774866 abstract "For the last quarter of Ruskin’s long life (1819–1900), English musical theatre was dominated by the Savoy operas of Gilbert and Sullivan, which satirized English institutions, contemporary social and intellectual movements, and public figures. Their work often reflected Ruskin’s impact as art critic and social reformer on the public.1 Ruskin knew at least one of the Gilbert and Sullivan operas. In The Art of England he described a scene in Iolanthe as: A dance of ungainly fairies on the site of the cabstand under Westminster clock tower, … [and] making the Queen of them all fall in love with the sentry on guard.2 KeywordsComplete WorkYoung LadyParadise LostEnglish InstitutionJapanese SwordThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W2494774866 created "2016-08-23" @default.
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- W2494774866 date "2009-01-01" @default.
- W2494774866 modified "2023-09-25" @default.
- W2494774866 title "Ruskin at the Savoy: The Gilbert and Sullivan Operas as Indications of the Victorian Popular Reception of Ruskin" @default.
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- W2494774866 doi "https://doi.org/10.1057/9780230236790_3" @default.
- W2494774866 hasPublicationYear "2009" @default.
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