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- W249540963 abstract "Theresa Papanikolas, Anarchism and the Advent of Paris Dada: Art and Criticsm, 1914-1924 Farnham: Ashgate, 2010, 280pp. ISBN 978-0-7546-6626-4. Paris Dada has long been considered not so much in its own terms, but as an appendage to either the Zurich Dada which presaged it or the Parisian Surrealism it developed into, and as lacking as political art in respect to both. Papanikolas' book is novel not only in focusing on Paris Dada as a central moment in its own right, but in identifying anarchism as its animating core. The role of radical social movements has often been downplayed as a context in social art history, but this book joins a growing body of scholarship that argues that social movements, and anarchism in particular, were central to the new modes and values of artistic production in European Modernism, whose concern - exemplified in Dada - with negation and antagonism often had a far more solid ground than the mythological straw-man 'anarchism' of some vague chaotic irrationalism previously often ascribed to it. The book is divided into two broad sections, the first chapters examining and introducing anarcho-individualism in France, and the latter chapters examining Paris Dada directly. While the introduction of Max Stirner's ideas is familiar ground, this is woven into a fascinating but brief account of their reception and development in France in journals such as l'Anarchie, l'Un, la Melee and l'Action d'art, as individualist anarchists moved from illegalist direct action to cultural production, critically reflecting on strategy and philosophy. This contextual introduction is followed by another, an account of Zurich Dada, in Hugo Ball's philosophical debt to Bakunin, and Jean Arp's 'naturalist anarchist' attempts to treat artistic production as propaganda by the deed. The only criticism is that the book arrives at Paris Dada itself a litde late. It is only on page 105 that Tristan Tzara arrives in Paris to meet Andre Breton. Perhaps this is an unavoidable problem for a book attempting to reunite narratives and concepts long separated by critics and historians between the disciplines of art and politics, aldiough the text does assume the reader's greater familiarity with the art-historical scholarship on Dada and Surrealism. At this point, Papanikolas begins to weave these threads together, in Breton's readership of all of the anarchist journals mentioned above, and the founding involvement of Jacques Vache, the nonconformist hero of Paris Dada and Surrealism, in an anarchist cultural circle in Nantes before his conscription. …" @default.
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- W249540963 date "2012-01-01" @default.
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- W249540963 title "Anarchism and the Advent of Paris Dada: Art and Criticsm, 1914-1924" @default.
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