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- W2495441611 abstract "Although the productions discussed in Chapter 3 differ significantly in terms of the means used, all of them strive to create a strong link to life stories in the world outside the theatre. The exclusive or partial reliance on thematic extra-theatricality in Rendition Monologues and Gladiator Games is more strongly associated with the intention to reconstruct events from the life world and its inhabitants on stage, but Vincent in Brixton demonstrates that formal intra-theatricality can also be used to heighten the impression that a performance is very likely to reflect a past life. In many performances thematic and formal similarities between the world on stage and the life world of the audience thus pursue the same goal, and potential conflict between them (see Chapter 3) is often played down in order to maintain a high level of overall extra-theatricality." @default.
- W2495441611 created "2016-08-23" @default.
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- W2495441611 date "2011-01-01" @default.
- W2495441611 modified "2023-09-27" @default.
- W2495441611 title "Creating and Undermining Expectations: Forms versus Content" @default.
- W2495441611 doi "https://doi.org/10.1057/9780230306875_4" @default.
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