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- W2495555805 abstract "The so-called turn to ethics,1 visible throughout the Anglo-American humanities, continues to set its marks. It encounters one of its centers of contention in the refashioning of influential variants of liberal democratic (cultural and moral) theory vis-à-vis those voices that question the procedure of invisibilizing the problems of inequality, exploitation, and injustice behind a “culturalization,” (Zizek, “Tolerance” 660) or a dehistoricization of politics. At stake is not an ethics of representation, nor one of subjects “represented” (or excluded). At issue is rather the way of dealing with our contemporary perception of the main conflicts, an ethics that becomes aware of the tremendous tension lingering beneath a self-understood “normality of values,” to the extent that it is able to start reflecting anew on the ominous duet of order and exception, of emergency and rule. Mouffe (2000) writes about the necessity to counter “the Kantian-inspired deontological model of democracy,” as well as a “neo-Aristotelian ethics of the good” with an “ethics not of harmony but of dis-harmony” (93). Seeking to address the actual grounds for the idea of “democracy,” she pleads for an “agonistic conception of democracy” in which the “ineradicability of antagonism and violence” should be recognized as the central conceptual problem." @default.
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- W2495555805 date "2011-01-01" @default.
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- W2495555805 title "Considerations on Violence, the Global South, and an Aesthetics of Sobriety" @default.
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- W2495555805 doi "https://doi.org/10.1057/9780230120037_5" @default.
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