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- W2495704865 abstract "The unstable relationship between the “real” face and its painted counterpart entails a formative influence on the conception, in the viewers’ minds, of how Elizabeth’s actual face appeared. Along with mass-produced images featured on coins, cheap prints, and broadside sheets, the faces of her portraits functioned as definitive public statements of Elizabeth’s looks. The interpretations and judgments passed upon Elizabeth’s faces in her portraits became interpretations and judgments upon the queen herself, and it is on these faces, belonging essentially to an elitist and higher quality genre of portraiture, that this chapter is focused." @default.
- W2495704865 created "2016-08-23" @default.
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- W2495704865 date "2010-01-01" @default.
- W2495704865 modified "2023-09-28" @default.
- W2495704865 title "Portraiture: The Painted Texts of Elizabeth’s Faces" @default.
- W2495704865 doi "https://doi.org/10.1057/9780230106741_6" @default.
- W2495704865 hasPublicationYear "2010" @default.
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