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- W2495842364 abstract "In his influential New Bibliographical study, On Editing Shakespeare (1966), Fredson Bowers makes what now seems like an astonishing claim. His eyes firmly set on the future of editorial practice as he contemplates the feasibility of “a definitive text of Shakespeare,” he writes, “Some day the accumulation [of facts] will reach the limits of human endeavour and the fact-finding be exhausted. Then, and only then, can the final capstone be placed on Shakespearian scholarship and a text achieved that in the most minute detail is as close as mortal man can come to the original truth” (101). The project that Bowers foresees involves establishing absolutely the bibliographical and typographical “facts” of early modern printing practice; the more nuanced one’s understanding of printing-house practice, the theory goes, the more accurately one can reconstruct the manuscripts that were, at various stages of removal, behind the printed objects themselves. Though fully aware that the transmission of Shakespeare’s plays into print involved the shaping influence of various intermediaries and agencies (particularly scribes and compositors), Bowers’s vision of the future is one in which meanings and authorities are delimited by editors, the critical edition becoming a means to establish Shakespeare’s intentions (the “original truth” to which he refers).KeywordsCritical EditionElectronic EditionPerformance HistoryTextual ProductionOriginal TruthThese keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves." @default.
- W2495842364 created "2016-08-23" @default.
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- W2495842364 date "2014-01-01" @default.
- W2495842364 modified "2023-09-27" @default.
- W2495842364 title "The Critical Edition as Archive" @default.
- W2495842364 doi "https://doi.org/10.1057/9781137438447_5" @default.
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