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- W2495958239 abstract "Discussing Tecnica del colpo di stato (Technique of a Coup d’Etat), a volume that Curzio Malaparte published in France, in 1931, and republished in Italian in 1948, on the occasion of the one hundredth anniversary of the Communist Manifesto, Carlo Levi argues that in this work one finds nothing but the reduction of the material complexity of a revolutionary movement to an empty, artifcial operation, so that the “revolution turns into the seizure of power, and the seizure of power becomes the technique of the coup d’etat.”1 Levi’s spite toward Malaparte transpires throughout the article, as the most recurrent adjectives employed—namely the “Jesuitic hypocrisy” and “silliness” of his fascist “aestheticizing interpretation of the revolution”—mark his production as indifferent and intellectually vacuous.2 It follows that Malaparte falls into the category of the courtesan intellectual who is at best endowed by an illusory aura of autonomy, for his “amoralism sometimes enjoys taking up heroic attitudes.”3 There is nothing contradictory in such behavior, but there is a rather profoundly opportunistic spirit that is also typical of his always volatile literary opinions. In line with what I have said so far, Levi believes that at the bottom of Malaparte’s fascism there rests a fundamental detachment and indifference to life. The same predisposition, I noted, allowed the latter to produce his satire of fascist foundations. Devoid of true critical force, this ironic attitude helped him inhabit fascist discourse. Thanks to an incomplete adherence to its exterior conformism, Malaparte represents a case of radicalization of the deep structure of disengagement that fascism in point of fact matured at the core of its political philosophy." @default.
- W2495958239 created "2016-08-23" @default.
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- W2495958239 date "2015-01-01" @default.
- W2495958239 modified "2023-09-24" @default.
- W2495958239 title "Another Origin: The Archaic in Carlo Levi" @default.
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