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- W2496564902 abstract "Like the practitioners of other great improvisational genres such as Hindustani raga, jazz masters establish their own musical voice within a known musical rhetoric. An icon of the genre, Thelonious Monk made music both exemplary of and different from all other jazz. Using detailed transcription and analysis, this study examines one of his solo performances of the 1940s standard tune I Should Care, first by explaining the basics of jazz harmony, and then by viewing Monk’s approach alongside those of two rather more conventional pianist peers, Oscar Peterson and Bill Evans. The analysis expands to include Monk’s pianistic style, rhythm, and sense of time, concluding with assessment of his iconoclastic but distinguished jazz legacy, and his role as a model creative musician beyond genre." @default.
- W2496564902 created "2016-08-23" @default.
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- W2496564902 date "2011-10-12" @default.
- W2496564902 modified "2023-10-16" @default.
- W2496564902 title "Thelonious Monk’s Harmony, Rhythm, and Pianism" @default.
- W2496564902 doi "https://doi.org/10.1093/acprof:oso/9780195384581.003.0004" @default.
- W2496564902 hasPublicationYear "2011" @default.
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