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- W2497171807 abstract "Metatheatricality is a term often applied to Marlowe’s 1587 play Tamburlaine. Critics reference the costuming and language of Marlowe’s lead character and argue that he was constructed through metatheatrical and metapoetic self-fashioning.1 Alternatively, we see Tamburlaine as an extraordinary example of antitheatricality, one that offers its own theory of theater, what we call “post-theater,” that is radically different from the naturalistic mode that came to dominate the early modern English stage. Anticipating much fringe theater and performance art today, Tamburlaine posits a theatrical mode that is unrealistic and non-representational, a theater that exceeds typical antitheatrical prejudices by challenging their tenets (that theater sways actors and audiences into wickedness) and moves beyond a mere metacommentary on theater. Marlowe’s post-theater surfaced alternatively to the emerging form of Elizabethan theater with a self-consciousness that evades easy categorical determination; it appropriates antitheatrical terms/perceptions, defies conventional theater properties (words, action, spectacle, and naturalistic acting), and ironizes the concept of metatheater." @default.
- W2497171807 created "2016-08-23" @default.
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- W2497171807 date "2006-01-01" @default.
- W2497171807 modified "2023-09-23" @default.
- W2497171807 title "Viewing Antitheatricality: or, Tamburlaine’s Post-Theater" @default.
- W2497171807 cites W2059867603 @default.
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- W2497171807 doi "https://doi.org/10.1057/9780230584570_7" @default.
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